VEEN, Otto van

Flemish painter (b. 1556, Leiden, d. 1629, Bruxelles). Flemish painter and draughtsman of Dutch birth. Although born in Holland, he is regarded as an artist of the Catholic southern Netherlands, where he spent most of his active life. He seems to have been acquainted with most of the Netherlandish scholars of his time, and his works testify to his broad humanistic learning. This and his prominent role in the early manifestations of the Counter-Reformation in Antwerp may have led Rubens to choose him as a teacher. Van Veen's importance as an artist has often been compared to the career of his famous pupil, for whom he was certainly the most important exemplar of the pictor doctus or learned painter. Van Veen obviously represents the older generation's more classicizing and conservative response to the Counter-Reformation. For him, the return to the spiritual values of the past also implied a recovery of the pictorial style of the High Renaissance, with its deliberate borrowings from the paintings of such artists as Raphael and Correggio.


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VEEN, Otto van The Last Supper r oil


The Last Supper r
Painting ID::  9442
The Last Supper r
1592 Oil on canvas, 350 x 2247 cm O.-L. Vrouwekathedraal, Antwerp
   
   
     

VEEN, Otto van Surrounded by His Household (mk05) oil


Surrounded by His Household (mk05)
Painting ID::  20277
Surrounded by His Household (mk05)
1584 Canvas,69 1/4 x 98 1/2''(176 x 250 cm).Acquired in 1835
   
   
     

VEEN, Otto van Portrait of Nicolaas Rockox oil


Portrait of Nicolaas Rockox
Painting ID::  51091
Portrait of Nicolaas Rockox
Oil on panel, 26,5 x 35 cm
Oil_on_panel, _26,5_x_35_cm
   
   
     

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     VEEN, Otto van
     Flemish painter (b. 1556, Leiden, d. 1629, Bruxelles). Flemish painter and draughtsman of Dutch birth. Although born in Holland, he is regarded as an artist of the Catholic southern Netherlands, where he spent most of his active life. He seems to have been acquainted with most of the Netherlandish scholars of his time, and his works testify to his broad humanistic learning. This and his prominent role in the early manifestations of the Counter-Reformation in Antwerp may have led Rubens to choose him as a teacher. Van Veen's importance as an artist has often been compared to the career of his famous pupil, for whom he was certainly the most important exemplar of the pictor doctus or learned painter. Van Veen obviously represents the older generation's more classicizing and conservative response to the Counter-Reformation. For him, the return to the spiritual values of the past also implied a recovery of the pictorial style of the High Renaissance, with its deliberate borrowings from the paintings of such artists as Raphael and Correggio.

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